“Jason Denvir’s set comes into its own in the final act, when the three pigs’ houses are revealed. They’re rather sumptuous creations; one heaves with hay, another is made up of spindly sticks and the pièce de résistance, the brick house, comes complete with a smoking fireplace. The audience bursts into spontaneous applause.”The Guardian – Mirrian Gillinson
“Jason Denvir’s brilliant set is transformed from three separate slides in the blink of an eye into three houses of straw, sticks and brick, the first two crumbling under the wolf’s huffing and puffing but Q’s more thoughtful brick edifice defying all his dastardly efforts.
The set was almost the star turn for my grand-daughter who has now given up on “awesome” as the mot juste to express pleasure. These days the acting, singing, dancing, set and story are “epic” instead.”Musical Theatre Review – Jeremy Chapman
“Jason Denvir’s set design…simple and slick.”Remotegoat
“cunningly designed with a chic minimalism by Jason Denvir”The Times
“Jason Denvir’s neat white set and writer Reed’s choppy direction complete the package.”Evening Standard
“Clive King’s engaging tale, about a boy who discovers a caveman living in the local chalk pit turned dump, is brought vividly to like in the tabard’s imaginative production. Considering the venue’s size, Jason Denvir’s picturebook perfect set represents a design feat. Using raised platforms, the safe domestic world sits cosily above an impressively realised chalk pit, decorated in detail with debris and framed by suspended jam jars with fairylights. “The Stage
“The compact nature of the smaller Trafalgar Studio contributes to the play’s pungent atmosphere as the events unfold so very close to your eyes. Jason Denvir’s set, depicting a 1960’s bourgeois living room complete with tasteless wallpaper and chintzy drinks cabinet, also helps the evening along.”Music OMH
“Jason Denvir’s cluttered living room set is also a labour of love with the kind of gorgeous attention to detail you can savour at such close quarter’s’”Daily Express
“Jason Denvir’s design sets a suitably tawdry tone, with a worn-out animal hide splayed across the floor as a sardonic reminder of the blood sport being played out.”Mail On Sunday
“The emotional baggge of George and Martha’s relationshipis reflected by the cluttered set, a convincing 1960’s academic’s
living room /study complete with jazz records, modern art, Life magazines, and of course drinks cabinet.”Londonist